Dr Bunsen Honeydew wrote: ↑Sun Apr 29, 2018 11:04 am
I know it is early days and these were built to get a speaker that would work at Owston, BUT any idea as to how they compare with the semi omnis.
They are very good. The soundstage compared to the semi-omnis is nowhere near as expansive, but the musical details are all there, and because of the big driver, the weight of sound is better.
The best thing about them, compared to the semi-omnis is the bass performance, which is even, fast and boom free.
This performance IMO is down to the sealed box loading. The transmission line loaded semi-omnis now have totally false bass in comparison.
I know that you've been trying to get this point across for a long time, and have been up against a wall of indifference, but unless you actually hear for yourself, the superiority at the bottom end, that a properly engineered, sealed box has over ported bass, then you won't get it.
The theorists would argue that modern drivers are not engineered for sealed box loading, but you don't look at hi-fi drivers; complete waste of time unless you are prepared to dope them. What you do in fact do, is look at pro drivers instead. Granted, with sealed boxed pro drivers, you are going to end up with big boxes, which is not an acceptable situation in most homes, but the results, if you can get away with the size issue, are excellent.
Failing that of course you can Doc mod an existing speaker or buy some Cubes.
So the semi-omnis will need a rethink as I can no longer stand ported bass. The ones I built are good, very good in fact, and have the fantastic window to the studio space, but they are a mish-mash of too many influences. Again as with everything now, a fresh look, is needed keeping simplicity at the forefront of my thinking. A new, simpler semi-omni design will be in the planning stage once I get the full-rangers finished.
As with Stu, the building of the DIYNVA and the building of the full range drivered, sealed boxes is forcing me to unlearn most of what I thought I knew and embrace the KISS approach to getting the best music making from a sound system.