building a tonearm
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Re: building a tonearm
Well I got it installed and had a cursory listen to it, and initial impressions are very promising.
I had to make a turret for it so it could be installed to run on the lenco. Which was a pain in the arse. I dug out an offcut from a plinth I did to make it
Cx unipivot mk testing by anthony cresswell, on Flickr
Cut a chunk out of this and turned a tower out of it which was an arse as neither ply, MDF or the particleboard core turns very well at all. It ate the chisels because of the heat build up, they had to be sharpened a couple of times while doing it.
Cx unipivot mk testing by anthony cresswell, on Flickr
Turned out ok though, but the install is not the greatest ever. It wants fitting to a deck properly. It was an absolute sod to get the cart adjusted so I had to settle for a close alignment as I simply couldn't see or get at the cart properly to do a proper job. But it suffices for testing.
I could also run both arms at the same time so I could do an A/B between them. So I did.
Cx unipivot mk testing by anthony cresswell, on Flickr
I then took the Goldring E3 cart off and fitted the AT150 sa to the CX so both arms had the same cart on.
Also had to bodge something fr the connector box to stand on and supported the long cables to it on the hook for the curtain tie-back....
Cx unipivot mk testing by anthony cresswell, on Flickr
So, impressions are that it has guts and that it is very stable for a unipivot, I think I got the weight distribution about right. It has a solid and dynamic sound to it, similar to the mk2 had but it seems to be more grippy than I remember that one being. I cant really say much about the treble as the cart alignment was out, but it seems ok so far. It also seems to image really rather well which was unexpected as the mk 2 one was ok but nothing special, and that its easy to place instruments in the image.
for want of a better word, it seems pretty musical, even if that is something of an amorphous term. One mans 'musical' is another mans 'coloured' or whatever other term someone cares to use.
But overall very promising. And not much hum even without an earth
I had to make a turret for it so it could be installed to run on the lenco. Which was a pain in the arse. I dug out an offcut from a plinth I did to make it
Cx unipivot mk testing by anthony cresswell, on Flickr
Cut a chunk out of this and turned a tower out of it which was an arse as neither ply, MDF or the particleboard core turns very well at all. It ate the chisels because of the heat build up, they had to be sharpened a couple of times while doing it.
Cx unipivot mk testing by anthony cresswell, on Flickr
Turned out ok though, but the install is not the greatest ever. It wants fitting to a deck properly. It was an absolute sod to get the cart adjusted so I had to settle for a close alignment as I simply couldn't see or get at the cart properly to do a proper job. But it suffices for testing.
I could also run both arms at the same time so I could do an A/B between them. So I did.
Cx unipivot mk testing by anthony cresswell, on Flickr
I then took the Goldring E3 cart off and fitted the AT150 sa to the CX so both arms had the same cart on.
Also had to bodge something fr the connector box to stand on and supported the long cables to it on the hook for the curtain tie-back....
Cx unipivot mk testing by anthony cresswell, on Flickr
So, impressions are that it has guts and that it is very stable for a unipivot, I think I got the weight distribution about right. It has a solid and dynamic sound to it, similar to the mk2 had but it seems to be more grippy than I remember that one being. I cant really say much about the treble as the cart alignment was out, but it seems ok so far. It also seems to image really rather well which was unexpected as the mk 2 one was ok but nothing special, and that its easy to place instruments in the image.
for want of a better word, it seems pretty musical, even if that is something of an amorphous term. One mans 'musical' is another mans 'coloured' or whatever other term someone cares to use.
But overall very promising. And not much hum even without an earth
Analogue: oracle delphi sme 309, jbe series 3 cx unipivot dv20x2l, roksan xerxes tabriz vm750, jvc ql-y5f rigb at440, jvc ql-y3f vm750, lenco 75, technics sl150
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
- Latteman
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Re: building a tonearm
Love the use of the curtain hook- actually a good idea for cables
Analogue Source -
Denon DP47f; AT-VM95SH- RigB 9
GL-59; ARB uni pivot; AT- Signet mc
Nva phono mm/mc
Doug Self balanced Pre amp
Akai 4000DS mk2 R2R
Digital Sources- Argon Pi4 v2; IfI iUSB 3.0, Ifi Neo idsd Dac;
Tidal / Radio Paradise
Amplification Nva 300va mono blocks
Speakers Lii Audio F-15 in Open Baffle; Ls6
Weiduka AC8.8- for digital sources
Mini BMU for analog sources
Denon DP47f; AT-VM95SH- RigB 9
GL-59; ARB uni pivot; AT- Signet mc
Nva phono mm/mc
Doug Self balanced Pre amp
Akai 4000DS mk2 R2R
Digital Sources- Argon Pi4 v2; IfI iUSB 3.0, Ifi Neo idsd Dac;
Tidal / Radio Paradise
Amplification Nva 300va mono blocks
Speakers Lii Audio F-15 in Open Baffle; Ls6
Weiduka AC8.8- for digital sources
Mini BMU for analog sources
- Lindsayt
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Re: building a tonearm
How much did all the parts, plus any project specific tools for this arm project cost?
And roughly how many hours did it take?
And roughly how many hours did it take?
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Re: building a tonearm
Dunno on the cost, it was built with bar stock and other materials I already had including the wiring, connectors, cart pins, sockets, timber, etc.
Hours, probably about 10 ish so far of machining and re machining bits I cocked up or changed the design of, designing it, no idea, I've been kicking ideas around my head for a long while
I fitted it to the lenco properly today to get a proper idea of its sound quality, and to set it up properly too.
A load better than being on the turret and much easier to set the cart up correctly.
Took the AT1100 off the lenco and fitted the CX arm (a biking reference from the very first iteration of this arm) in its place. And put the at150 off the AT arm in the audiomods that's on the garrard. So I'm now comparing it with the audiomods arm rather than the AT1100.
I have run into an odd static problem, but other than that I'm rather pleased.
Hours, probably about 10 ish so far of machining and re machining bits I cocked up or changed the design of, designing it, no idea, I've been kicking ideas around my head for a long while
I fitted it to the lenco properly today to get a proper idea of its sound quality, and to set it up properly too.
A load better than being on the turret and much easier to set the cart up correctly.
Took the AT1100 off the lenco and fitted the CX arm (a biking reference from the very first iteration of this arm) in its place. And put the at150 off the AT arm in the audiomods that's on the garrard. So I'm now comparing it with the audiomods arm rather than the AT1100.
I have run into an odd static problem, but other than that I'm rather pleased.
Analogue: oracle delphi sme 309, jbe series 3 cx unipivot dv20x2l, roksan xerxes tabriz vm750, jvc ql-y5f rigb at440, jvc ql-y3f vm750, lenco 75, technics sl150
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
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Re: building a tonearm
Proper install. Its on an arm board that was the original one for the deck when it was built, set up for an rb250. I used the same geometry so it fits properly on this board
Cx unipivot testing by anthony cresswell, on Flickr
Interestingly the static problem seems to have resolved itsself, then come back for some reason, and the more odd thing is that it is related to the rotation of the platter and not the motor.... set the platter spinning and the static crackles appear. turn the motor off and they stay. stop the platter by hand and they go away.... odd.
I need to understand why so i can solve the conundrum.
Cx unipivot testing by anthony cresswell, on Flickr
some earthing may sort this
Cx unipivot testing by anthony cresswell, on Flickr
Cx unipivot testing by anthony cresswell, on Flickr
Interestingly the static problem seems to have resolved itsself, then come back for some reason, and the more odd thing is that it is related to the rotation of the platter and not the motor.... set the platter spinning and the static crackles appear. turn the motor off and they stay. stop the platter by hand and they go away.... odd.
I need to understand why so i can solve the conundrum.
Cx unipivot testing by anthony cresswell, on Flickr
some earthing may sort this
Cx unipivot testing by anthony cresswell, on Flickr
Analogue: oracle delphi sme 309, jbe series 3 cx unipivot dv20x2l, roksan xerxes tabriz vm750, jvc ql-y5f rigb at440, jvc ql-y3f vm750, lenco 75, technics sl150
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
- Dr Bunsen Honeydew
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Re: building a tonearm
Is there a earthing wire between the headshell and the rest of the arm as you lose that by using wood in the arm tube. Or alternately use one of these before you play each record. https://www.ebay.co.uk/sch/i.html?_from ... acat=14969
Static is variable due to humidity, higher humidity makes it disperse.
Static is variable due to humidity, higher humidity makes it disperse.
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Re: building a tonearm
No earth's at all on it it the moment other than the green and blue
That's what I've been on with today, trying to find some more wire to alter the loom. Found some to do it, but got waylaid with some other stuff..
That's what I've been on with today, trying to find some more wire to alter the loom. Found some to do it, but got waylaid with some other stuff..
Analogue: oracle delphi sme 309, jbe series 3 cx unipivot dv20x2l, roksan xerxes tabriz vm750, jvc ql-y5f rigb at440, jvc ql-y3f vm750, lenco 75, technics sl150
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
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- Posts: 766
- Joined: Sat Jul 01, 2017 12:51 pm
- Location: South yorkshire
- Has thanked: 1 time
- Been thanked: 364 times
- Contact:
Re: building a tonearm
Been playing with some tin foil as screening to see if it stops the static problem, and it does. As you would expect.
So I'll need some screening inside the wooden part of the wand on the next update to it. Perhaps some small diameter brass tube, have to work out how to get it inside.... And make up a screened output cable for it
So I'll need some screening inside the wooden part of the wand on the next update to it. Perhaps some small diameter brass tube, have to work out how to get it inside.... And make up a screened output cable for it
Analogue: oracle delphi sme 309, jbe series 3 cx unipivot dv20x2l, roksan xerxes tabriz vm750, jvc ql-y5f rigb at440, jvc ql-y3f vm750, lenco 75, technics sl150
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
Phono stages: cole lcr, benedict audio hothead
Digital: cyrus cd7, wiim mini x2, topping e30, jds labs el dac 2+
Amplification: nelson pass b1, nelson pass f5
Speakers: 15" fane aperiodic wardrobes
Cans: myryad z40, hifiman sundara + deva, fostex t50rp, sennheiser momentum on ear +over ear, b&w p5 and p7
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Re: building a tonearm
That's an impressive bit of design and engineering, looks beautifully executed.